Wednesday, June 3, 2009

Shoestring Stage Design - Part 3

LIGHTS, action, camo.

You can do a lot of things on your stage to give it some presence but if you don’t have it lit right or well you can ruin the look. Light has multiple functions, first is to give light on the subject so that the audience can see what is going on. This is incredibly important if you’re doing IMAG (image magnification). You want your subject to be well lit, no shadows or hot spots, and you want them to pop off of the background, especially if you’re against a black or dark colored backdrop.

The next, and most important responsibility of light is to paint the canvas of the stage with color. Color evokes emotion and so you must pay particular attention to how you color your stage. Here is a link to a site discussing color and emotion please forgive the post modern spiritualism crap weaved in. I don’t want to get into art 101 here, and im pretty sure you can google what emotions are evoked with each different color, and what colors go together with other colors. Also, match your backgrounds. Either choose a complimentary of lighting with your slides/lyrics used in worship or a matching color. You don’t want to end up with a puce on stage (a visual equivalent to the color of puke...). You can cover your stage with objects meant to be lit but until you add those strokes of color your stage doesn’t really become engaging or active to the worshiper.

Creating action in your lighting doesn’t necessarily mean using moving lights or chases programmed to timing of the music. While you can create motion using these effects you can create motion on your stage using static lighting. What I mean is highlighting the action points on your stage. Use solo lights. Use back lighting to create shadows. If you’re not using IMAG you have potential to do some very cool lighting effects during worship by back lighting your entire band and dropping out the front light. These silhouettes can create some amazing action on your stage and you didn’t even spend any extra money to get it. Just a few dimmer channels. 



The reason I said camo in the title is that camo has depth. In order to create a great stage look you need to create that depth look with your lighting. No one wants to be bored or disinterested with what they’re looking at and most artwork that is extremely flat is not any fun to look at. It doesn’t evoke anything and does not engage. I’m not saying you need to have 500 colors on your stage, but having multiple colors and depth of shapes helps create shading and dimension. Speaking of camo, have depth to what you light. Layer fabric and texture for a unique look. I found a roll of shrink wrap backstage the other day and the thought occurred to me, why not hang that, pull and stick it together and then light that for a multi dimensional stage look. It’s all about lighting, texture and using what is available. If you want to use literal camo, do that too. go to an army supply store and buy up some of the tent camo to light (the white stuff preferably, or paint the green/tan stuff white). 


Lighting can add a lot to your stage design with out adding any or little cost but is definitely something you need to go into with planning and purpose. Things can of course be done on the fly as you’re putting it together. Most of my genius inspiration comes on the fly ;-). But a game plan works wonders in saving time while you’re setting stuff up.

...still to come
  • Where do I find materials???
  • I need inspiration, HELP!
  • We’re a church not a night club.


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